PRESS

Think of the project (IAMEVE ARCHETYPE) as an orchestral tethering and untethering to our own planets, not just mother earth, but the planets we move around in our individual universes. We are in constant negotiation with our contracts on earth. If we aren’t sure of what’s good for us, how will we know what’s good for others? It’s this finding ourselves that allows us to accept others, and “Archetype” is a safe space for doing that.” - ELOQUENT MAGAZINE


"Right after having my child, I had the realization that there is virtually NO support for new moms in the entertainment industry and such a heap of stigma to confront. So I reached out to another new mama, Mary Leay, and we teamed up in dreaming of ways to create resources, programs, structures and start conversations to support moms in the music world. Ultimately the goal is to advocate for mamas in music and be a voice for change in the industry, so that more mamas are being seen, heard, hired, and supported — and to disrupt old stereotypes."  - ROCKMOMMY

 
 

AMERICAN SONGWRITER

“Epic songs that ooze with spacey surrealism…”

voyage la

“Keep learning and invest in yourself. Don’t follow a dangling carrot. Don’t waste time and money on distractions or things that don’t feel right.” - Tiff Randol

MUNDANE MAGAZINE

“I often compose with colors and pictures in mind, which is why I think I’ve found myself working so often in film and tv.  I just love working with visuals and if I’m not writing to picture, I’m usually creating one in my mind.” - Tiff Randol

Performer Magazine

“I formed Mamas in Music (along with co-founder Mary Leay) to support and encourage other mums working in the music industry, while also raising little humans.” - Tiff Randol

The Ultimate Guide to Singing

“Her evocative sound tapestries are inspired by a world of a supernatural nature full of hypnotic vocals, spacey sounds, and surrealism. ”

la weekly

“Tiffany is a friend of mine and I’ve played music with her a few times over the years, she sent me a link to her video, and I loved how optimistic it was” - Fred Armisen (Portlandia)